Han Bole вЂ“ Paineeta (2005) Shantanu Moitra Naina Taras Kar Rahe Gaye, Piya Aayey Na Saari Raat вЂ“ (1972) Laxmikant Pyarelal вЂ“ Lata Mangeshkar. Piya Ka Ghar Hai Raani Main Hun Ghar Ki вЂ“ Piya Ka Ghar Ramchandra вЂ“ Asha Bhosle вЂ“ A gem of a song, which may not qualify strictly in Salone Piya Iska Karo Swikar вЂ“ Navrang (1959) C Main Piya Teri Tu Maane Na Maane - Basant Bahar- Shanker Jaikishan вЂ“ Lata Mangeshkar ( There are several versions of this bhajan by Meera). Jo Tum Todo Piya вЂ“ Janak Janak Payal Baje вЂ“ (1955) Mere Piya Gaye Rangoon вЂ“ Patanga (1949) вЂ“ C Ramchandra вЂ“ 'Piya' is indeed a WordPlay that can be quite exhaustive, rich and fabulous.Д¬onsidering the filter that has been set here, the following songs come to my immediate (cache!) memory:

time.ДЄshok M Vaishnav 29 January 2013 at 03:53 So many more movies to watch, so many more songs to list, so many more books to read, and so. I can always find some category to fit them in. If I did expand my criteria to songs that had the word piya in the mukhda, my list would have multiplied manifold. RD Burman's music for this film traversed myriad genres, from the joyous Goriya kahaan tera des re to the crazy Daiyan ye main kahaan aa phansi(a song that Asha claimed was the most difficult song of her career) to this provocative, sensuous number add Asha at the height of her vocal prowess, and a beautiful, graceful Helen, and one can understand why this song had become the anthem of a generation, and still holds sway over the airwaves. It is very different from the other songs on this list because even though it sings of longing, a) it is a nightclub number i.e., it is not really sung by a woman to her beloved and b) musically, the song veers from the softly romantic or folksy notes of the previous songs to bring in thumping western rhythms. I reserved this for the last because this is truly what I term a guilty pleasure.

One of SD Burman's last scores (he composed for less than a dozen films after this), he breathed life into the songs in a film that narrated a tale of how music becomes responsible for the disharmony in the protagonists' lives. It is a grief that is heard and understood by their friends, yet he is unbending. What does you do when your beloved is angry with you for no fault of yours? When the quality that made him fall in love with you is the same quality that is driving him away? In a tale of a marriage riven asunder by ego, each line that she sings is indicative of her grief at his leaving, and how empty her life is without him. It is interesting that this brings in a shade of love that is the most heartbreaking. What follows next forms the rest of a very different tale by Rajinder Singh Bedi. She gives in to their pleas and dances in exuberance only to have her loving husband come home and spray her expensive sari with rang. Set against a Maharashtrian backdrop (another rarity in Hindi films), the rich Shanta (Waheeda) is waiting for her husband to come home, but is persuaded by her friends to take part in their celebrations. Picturised on the beauteous Waheeda, the song celebrates the coming of Phagun, the month of Holi. One of the few films in this period that used songs to pull the narrative along, it sets the tone for the rest of the film. They may not (all) be everyone's cup of tea, but I think they have held their own through the passing of the ages. The next three songs are indicative of an age, yet diverse in their scope. The golden age of Hindi film music may have passed, but there were still a few directors and music directors who kept the flag flying. While collating this particular list, I found a few songs that I like very, very much.

I do not usually go beyond the 60s in my song lists, but sometimes, just sometimes, I make an exception. (I could have done without the dying fish, though.) Saranga may have been what was often referred to as a B-grade film starring Jaishree Gadkar and Sudesh Kumar, but it had a stupendous musical score. What is love after all, if it is not put through trials and tribulations that make the heart grow fonder in absentia? Add in a heroine who has to face many troubles, and a hero who is dying of love for her, and you have the stage set for a wonderful paean to love and longing. Artistes: Lata Mangeshkar, Mohammed Rafi You cannot have love without separation, nor separation without the longing to meet one's beloved.

Bairi piya lyrics english